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  • Broadband Jungle Blog is edited by Thomas Rigler, a filmmaker and new media & television executive. As a consultant at Gerber Rigler he produces and devises content strategies for film, television and new media.

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  • Digital Hollywood Content Summit
    The inaugural Digital Hollywood Content Summit takes place on Tuesday, May 5 at the Loews Hotel in Santa Monica during the Spring '09 conference of Digital Hollywood. Tim Kring, creator of "Heroes" will participate in a keynote conversation and various film, television and new media organizations are participating. Among them the AFI, the Academy of Television Arts and Sciences, ASIFA Hollywood, the IDA, the WGA, KCET and others about to come on board. During a series of panels on Tuesday, May 5 we're planning to take content creators in our industry through the creative process: Development, Funding, Production, Distribution (IDA), Animation, Cause Driven social marketing, and the re-invention of the studio model for the new media age. Produced by Gerber Rigler Executive Consulting & Producing.

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Internet Metering - Back to the good old bad days?

During peak times, 5% of Internet users are hogging 50% of the bandwidth?

How to reply if you're a service provider? Metering? Open access? Tiered plans?

Mark Cuban already cast his vote and kicked of a thunderstorm: Why Tiered Broadband is a Wonderful Thing and ASIVS.

'Leave and take your bit torrent client with you.'

While cable giants like Comcats and Time Warner and telecoms like AT&T are figuring out how to add valves to their pipelines to reign in some of their hard-core users, industry mags like Mediapost's Blogs have long been engaging in the debate.

Now the New York Times is weighing in with a clarifying survey from Brian Stelter.
His article from June 15 compares the potential of 'Internet metering' to the industry's clumsy business models from the early days:

'The Time Warner plan has the potential to bring Internet use full circle, back to the days when pay-as-you-go pricing held back the Web’s popularity. In the early days of dial-up access, America Online and other providers offered tiered pricing, in part because audio and video were barely viable online. Consumers feared going over their allotted time and bristled at the idea that access to cyberspace was billed by the hour.'

Stelter compares some of the plans in discussion and the perspective is grim: Bandwidth allotments appear to favor the very casual Internet user simply sending e-mail and reading the news.

Streaming an hour of video on Hulu, which shows programs like “Saturday Night Live,” “Family Guy” and “The Daily Show With Jon Stewart,” consumes about 200 megabytes, or one-fifth of a gigabyte. A higher-quality hour of the same content bought through Apple’s iTunes store can use about 500 megabytes, or half a gigabyte.

A high-definition episode of “Survivor” on CBS.com can use up to a gigabyte, and a DVD-quality movie through Netflix’s new online service can eat up about five gigabytes. One Netflix download alone, in fact, could bring a user to the limit on the cheapest plan in Time Warner’s trial in Beaumont.   

What this could mean to our fledgling rich media loving industry is pretty obvious:

“We hate it,” said a senior executive at a major media company, who requested anonymity because his company, like all broadcasters, must play nice with the same cable operators that are imposing the limits. Now that some television shows are viewed millions of times online, the executive said, any impediment would hurt the advertising model for online video streaming.

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